Review of Carnival of Monsters by Richard Garfield: Monster Hunter with a difference

Carnival of Monsters' journey from prototype to finished product was rocky. The first Kickstartercampaign, the card game was originally only supposed to appear on the US market and be financed via crowdfunding, but was not successful. The card game finally made it to the market - and it was even published in German by Amigo Spiele.

Lots of monsters, lots of countries - no battles

The card game for two to five players is completely competitive, but there is no fighting. The fact that this game was penned by Richard Garfield - the author who created the genre of trading card games with his idea in the XNUMXs - will be noticed by those familiar with the scene at first glance. Equipped with a high pile of cards, the players go on a search for monsters: they play different colored countries to meet resource requirements and place monsters on the game table as soon as the required number is reached. The basic game system clearly identifies “Carnival of Monsters” as Garfield's creation.

What is also noticeable is the game's excellent features. Much of what is in the game box would not necessarily have been needed to play "Carnival of Monsters" as the rules provide. Nevertheless, you don't want to miss any of the material components, because the title gains a lot of atmosphere through it. Although "Carnival of Monsters" is a pure card game, the creators manage to give the monster collection real board game character. It starts with setting up the menagerie and ends with distributing the player boards.

There is also a brief background story to the "Carnival of Monsters". As budding scientists of the Royal Monstrological Society, the players go on a monster hunt and try to catch the most impressive creatures possible from different countries. Their catches are then examined by the audience in the menagerie. As always with such public events, the bigger the presentation, the louder the applause.

When the monster fans freak out in their seats, players receive appropriate recognition - at “Carnival of Monsters” in the form of points. That’s what Richard Garfield’s card game is all about. It turns out to be a visually inviting hunt for points.

Optics are good, fun is better

The look is actually a highlight and one of the strengths of "Carnival of Monsters". The map drawings come not from one, but from several well-known illustrators: Dennis Lohausen, Claus Stephan, Franz Vohwinkel, Loic Billiau, Martin Hoffmann, Oliver Schlemmer and Michael Menzel. The creative minds behind the card game did at least part of their homework with flying colors.

As it is well known that good looks alone are not enough, the playfulness should also be right so that Richard Garfield's idea can turn into an entertaining game. Mechanically, Garfield relies on a simple draft mechanism. The players are given eight cards at the beginning of each round (so-called seasons). All cards must then be drafted and played over the course of a total of four game rounds.

The trick is that you have to make a decision about the use of the card immediately after every draft: either a card is played immediately or you keep it for later, which, however, costs a fee. Because financial resources are finite, the decision is sometimes not as easy as it seems at first glance. In the course of the game, players collect the countries they need or, conversely, choose their monsters accordingly. Alternative strategies bring employees and immediate actions into play. There are also target cards - these only develop their value when the points are finally awarded.

One game, many decisions

The fundamental decision is always: Do I keep collecting lands to play dangerous and point-earning creatures or do I collect expensive monsters in the hope of getting the resources I need?

A sensible strategy often emerges in the course of the rounds, but not always. Sometimes luck does not play along and the drafted cards turn out to be useless: then even simple tactics do not work and the audience is silent during the monster show - there are only a few points. With "Carnival of Monsters", whether a strategy could prove to be effective is ultimately a matter of experience, in other words, of knowing the cards.

With around 200 cards there is a lot to choose from, and you keep discovering new creatures. Even after several games. The fact that new visual stimuli are constantly being set due to the variety of cards is unmistakably one of the strengths of “Carnival of Monsters”. The fact that this can also result in new tactical approaches ensures motivation in the medium term. 

At the end of each round, the action is loosened up with a little twist: some monsters, especially those that bring massive points, have danger symbols. These dangers must be intercepted by the players so that the monster does not break out of its cage. You can use tokens for this, and a die roll determines how many symbols each player can also fend off. Then the played creatures wander into the menagerie and remain there until the final points are awarded. This goes on for four rounds, then a game of "Carnival of Monsters" ends and the points are counted. The player with the most points wins.

Carnival of Monsters: Not innovative, but fun

The card game does a lot right, but Richard Garfield's latest creation is not a creative explosion in the end. Nevertheless: A game of “Carnival of Monsters” puts you in a good mood. The mechanisms interlock well, the gameplay works in a calm way. The drafting itself is not very innovative and known from other titles (7 Wonders). 

Despite the immense variety of cards, the entry barriers are low. This is also what defines “Carnival of Monsters”. It doesn't take a lot of preparation or a lot of patience to get into the first game. The appeal of several games is noticeable, especially because each round can actually look different. The monster hunt is not playfully demanding, but it is always entertaining and exciting due to the many decision-making options. 

In the end, it's always about getting the best possible result from the pool of cards available for the respective game. This also applies because not only is the choice of cards limited, but the money available is also limited. If you need more financial resources, you have to take out loans, which at the end of the game lead to penalties, but can also be used as part of a strategy. 

Despite the card draft, "Carnival of Monsters" only plays interactively in a few situations. Players have to swap cards regularly, but otherwise they manage their resources side by side and leisurely develop their strategies.

A weakness of the game also emerges directly from the drafting: “Carnival of Monsters” is only really entertaining with at least three players. There is a variant for the classic duel to compensate for missing players and the special rules also serve their intended purpose well, but the human decisions of other players drive the game fun far better than an additional impersonal draw pile. Yes, “Carnival of Monsters” works for two, but it is better to bring one or two other players to the table.